Project: On the Road in West West Texas

Prada Frames 2026: The Crisis of Images

Psychogeography: Predisposed to Hiding Things

[Lewis Hawkins, Four Seasons Hotel]

“What is it I will have left when I leave, little but the milkweed silk, My inky fetishes, my spirit-papers and my urns . . .”
-Lucie Brock-Broido

“Where be the Maize/ Where be the Haze/ Where be the Bur?  Here said the Year.”
-Emily Dickinson, ”Answer July”

[Ximena Garado-Lecca at The Santa Fe Railyard Park-Waffle Garden]

Transfiguring Painting

[Agnes Pelton, ”Orbits;” Rebecca Salsbury Strand James, “Earth and Water,” Florence Miller Pierce, “Into the Light.”]

Expressive Code : Dot, Dash, Splash to Gibberish

[Frederick Hammersley, “A Good Line is Hard to Beat;” Will Rawls, Marilou Schultz, “Stab me Digital; “Diego Marcon, “Dolle;” Autumn Chacon, “Sound Waves;” Godrey Reggio, “Once Within A Time.”]

Desert Floor: Order under Drift

[Corman McCarthy; Candace Lin,” Toxic Semiotics;” Dionne Lee, “Rock Drawings; Awa Tsireh, “Pueblo Indian Watercolors;” Ruyi Zhang, “Traces;”Eliot Porter, “Ornithological Geometries;”Vladimir Nabokov, “Spiral Speciation,” at Site Santa Fe]

“All Night Long”: Eroticism in the Red Gallery

[Louise Bonnet, Patricia Ayres, D.H. Lawrence,  Sidse Meineche Hansen, and Katje Sesb  at Site Santa Fe ]

The Shape of Work

[Amol K. Patil, Unit 13, Santa Fe Village]

“Why Are We Still Not Thinking?”

[Omari Douglin, Odd Dolls, at Best Daze Cannabis Shop]

The Body in Nigredo

[Zhang Yun Yao Drawings at the Shiprock Gallery]

The Dance of Fate

[Wael Shawky, “I am Hymns of The New Temple,” at The Center for Contemporary Art, Santa Fe]

The Sight of Something Vanishing

David Horvitz, Guillermo Galindo, Na-Mira, Pablo Romero, Korakrit Amenanodchai, Max Hooper Schneider [The Shidoni Foundry, Upper and Lower Levels, La Finquita, Tesuque, N.M.]

Five in the War Zone

[Ali Cherri, The Watchman; John McCracken, Transmitting Through Me;  Hira Nabi, “All That Perishes at the Edge of the Land; Karla Knight, Cold War Code;  Ted Chiang, Looking Glasses ; all at The New Mexico Military Museum]

Green-Shine

[Maya Ruznik: New Mexico Museum of Art, St. Francis Auditorium; and Doodlet’s Storefront Window on Water Street]

Seven Spider Bagatelles

[Las Palomas :  Water Street Shed] [In Admiration of Anton Webern]

Ghosts

Breaking Light [The Palace of Governors]

Gripping Newspapers and Mortal Threads

[Museum of International Folk Art: Lloyd’s Treasure Chest] and [Wheelwright Museum]